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Deadpool 2 Official Teaser Trailer #1 () - Ryan Reynolds Marvel Entertainment Movie HD
Movie Synopsis:
Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy's life.
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Review: ‘Deadpool 2’ Has More Swearing, Slicing and Dicing from Ryan Reynolds 

When Deadpool referred to Cable as “Thanos,” the guy sitting next to me lost it. Because, you know, Thanos is the name of the villain in “Avengers: Infinity War” who is played by Josh Brolin, who also plays Cable, who is mostly the villain in “Deadpool 2.” So many levels of joke, whizzing by in a split-second of screen time. I chuckled, too, then and at other moments. I’ve seen a lot of superhero movies, and that laughter was like cash back from a credit card. Not exactly a huge windfall relative to the original expenditure — I mean, a “Martha” joke is hardly compensation for having endured “Batman v Superman” — but not nothing either. The script, by Rhett Reese, Paul Wernick and Ryan Reynolds (who once again plays the title character), is loaded with winky, fourth-wall-piercing eruptions of meta, the kind of humor that can make even the slow-witted and literal-minded feel devilishly clever. Works for me, I guess. But this sequel to the R-rated, X-Men-adjacent surprise blockbuster of 2016 works maybe a little too hard in the service of a dubious cause. The first “Deadpool,” based on a Marvel character introduced in the early 1990s (his real name is Wade Wilson), presented itself as an antidote to superhero fatigue, but it was really just another gateway drug. If you wanted to get the jokes, you had some homework to do. More than that, the appeal was predicated on a deep enough investment in the genre to sustain both enthusiasm and cynicism. [Ryan Reynolds on making “Deadpool 2.”] “Deadpool 2,” cracking wise at the expense of nearly every intellectual property in the DC and Marvel universes — and occasionally drawing metaphorical blood to go along with the abundant onscreen gore — uses its self-aware irreverence to perform the kind of brand extension and franchise building it pretends to lampoon. By the end, a motley band of warriors has been assembled to fight evil. Another one. Just what we needed. Those jokes about sequels lined up into the next decade aren’t really jokes, are they? In the meantime, we get a sustained dose of Mr. Reynolds’s profane, inventive voice-over, and some kinetic fight scenes, briskly directed by David Leitch. Wade’s face and body are still scarred, and he still dispenses sanguinary rough justice, from behind his makeshift mask, with a pair of ninja swords sheathed in an X across his back. Deadpool’s superpower is his indestructibility. He can’t die even if, for much of the movie, he very much wants to. He is knocked down, cut up, stomped and detonated, and then gets up and keeps fighting. Grief and despair drive Wade first to seek revenge and then to try to prevent two other acts of vengeance from taking place. His feelings also provide him with a permanent alibi. However vicious he may seem, however cavalier in his killing and maiming, his righteousness is always assured. He befriends a boy named Russell (Julian Dennison), who has pyrotechnic abilities and who has been bullied and abused at a Dickensian home for young mutants. Deadpool protects Russell, which helps guarantee Deadpool’s good-guy status. Cable pops onto the scene as the kid’s nemesis, and as a lumbering, square-jawed compendium of knowing clichés. He’s a time traveler with a mechanical arm and a military demeanor, in effect Buzz Lightyear to Deadpool’s Woody. The other misfit toys in the box include Colossus (voiced by Stefan Kapicic), a large titanium-skinned Russian, and Domino (Zazie Beetz), who has the mysterious ability to emerge unscathed from perilous escapades. “Luck is not a superpower,” Deadpool insists, and his skepticism drives an almost-interesting philosophical argument. Vanessa (Morena Baccarin), the love of Wade’s life, warns him that his heart is not in the right place, and there is a softness, a sentimentality, at the heart of “Deadpool 2” that at once guarantees its mass acceptability and undermines its satirical credibility. What drives this franchise is the same force that drives so much culture and politics right now: the self-pity of a white man with a relentless need to be the center of attention. He is angry, violent, disrespectful to everyone and everything, and at the same time thoroughly nontoxic and totally cool. Sure. Great. But there is something ever so slightly dishonest about this character, something false about the boundaries drawn around his sadism and his rage. “Deadpool 2” dabbles in ugliness and transgression, but takes no real creative risks. Correction:  An earlier version of this review referred incorrectly to Wade Wilson’s face and body. Although they are scarred, they are not burned. Deadpool 2Rated R. So you can feel grown up. Running time: 1 hour 59 minutes.


No result found, try new keyword!Deadpool 2 has the unenviable challenge of following up the movie industry’s bigstory of 2016, which turned a (relatively) meager $58 million-budget into a $783 million global phenomenon. Ryan Reynolds is back as the Merc with a Mouth, he will be joined ...

Review: Delightfully wacky 'Deadpool 2' raises the superhero bar from hit original 

Click to expand UP NEXT These are the top contenders to walk Meghan Markle down the aisle Without her father attending the Royal Wedding, here are the top choices to walk Meghan Markle down the aisle to Prince Harry. ‘Deal or No Deal’ models reunite to toast Meghan Markle’s royal wedding It's a reunion among ‘Deal Or No Deal’ beauties and they're telling all about their former castmate, Meghan Markle. When Meghan was just 24 years old, she landed a job on the hottest game show on TV. Meghan was briefcase model number 24. “My impression was she was always super sweet but very quiet,” says Sarah Doll, who was assigned briefcase number 7. Patricia Kara was assigned to briefcase number 9 and also remembers Meghan kept to herself. Kristen Stewart goes barefoot on the Cannes red carpet Kristen Stewart goes barefoot on the Cannes red carpet UP NEXT Deadpool 2 is chock-full of all the cartoonish ultraviolence, meta commentary and pop-culture references you’d expect. Where it surprises — and why it works so well — is how it balances an actually touching undercurrent alongside superhero subversiveness. Hilariously self-aware and satisfying on multiple levels, Deadpool 2 (★★★ out of four; rated R; in theaters nationwide Friday) continues the relentless lampooning and scattershot jokes of the first movie, but pulls together a much better story. The original Deadpool two years ago masked its threadbare plot with puerile humor and the larger-than-life personality of star Ryan Reynolds’ motor-mouthed mercenary, while the sequel develops its crass title character and his rapidly expanding cast of supporting weirdos without sacrificing its “all bonkers, all the time” raison d’être. First reactions: ‘Deadpool 2’ is ‘hilarious’ and has a killer bonus scene More: Céline Dion belts out a new soundtrack showstopper ... for 'Deadpool 2' In case you missed the first one, Deadpool fell in love, tried to fix his terminal cancer and underwent a torturous operation that made him nearly indestructible, and thus became everybody's favorite wisecracking anti-hero. Able to take out a wide world of goons to the tune of Dolly Parton’s 9 to 5, the hard-to-kill dude returns in Deadpool 2 wanting to start a family with his main squeeze, Vanessa (Morena Baccarin).  In addition to being slightly baby crazy, Deadpool also tries out for the X-Men (as a trainee), which leads him to meeting Russell (Hunt for the Wilderpeople’s Julian Dennison), a New Zealand teenager raging against the authority at his school for troubled mutant kids. In addition to having almost as much attitude as Deadpool himself, Russell’s got increasingly volatile flame powers (he gives himself the nickname “Fire Fist”) and is the target of time-traveling soldier Cable (Josh Brolin). Part Terminator and part jacked-up, middle-age grump, Cable carries a teddy bear and a mean streak from his dystopian far-flung future, creating a deadly adversary for Deadpool.  To combat this bad man with a metal arm, Deadpool forms his own supergroup, X-Force. Allegiances shift and high jinks ensue as our cursing, sword-swinging protagonist gets incarcerated, blown up, shot, stabbed, defiled and maimed in order to do the right thing. Reynolds is still the highlight of this franchise: His comic timing, exquisite delivery of one-liners and self-deprecating manner give life to this Looney Tunes-esque character. (Deadpool has the wit of a Bugs Bunny working very blue and gets flattened more than Wile E. Coyote on an average day.) One gets very used to pointy objects going in his and other folks’ heads, so the often-bloody violence has a desensitizing effect. While there are plenty of gags, some miss the mark — though the hit percentage is decent — and everything involving Deadpool's supporting friends, bartender Weasel (T.J. Miller) and cabbie Dopinder (Karan Soni), is pretty much recycled from the first movie. The newcomers are strong across the board, though. Director David Leitch (John Wick) ups the dizzying action, Brolin chews scenery as a futuristic Clint Eastwood type, comedian Rob Delaney has a fun role as regular-guy X-Force member Peter, but Atlanta’s Zazie Beetz is a captivating standout as Domino, a mutant with luck-altering powers and an aversion to Deadpool’s usual nonsense.  Related: Donald Glover's 10 most inappropriate 'Deadpool' lines from defunct script Also: 10 movies you must see this summer, from 'Avengers' to young Han Solo Deadpool 2’s bingo card of mockery includes clever shots at DC and Marvel films (Deadpool calls Cable “Thanos," a reference to Brolin’s Avengers: Infinity War villain), Say Anything, My Little Pony, Frozen, Yentl, frequent foil Hugh Jackman (plus his alter ego Wolverine) and Reynolds’ own filmography. Also, it drops the needle on the best Celine Dion movie song since that one with the large sinking boat. The non-stop revelry is what gets you in the theater, but Deadpool’s identity-defining journey keeps you there — and even doles out some warm fuzzies. He proclaims it a “family film,” following a scene very much not for kids, though Deadpool has a point. Returning pal Blind Al (Leslie Uggams) tells him, “You can’t really live until you’ve died a little” — a poke at his top-notch healing ability as well as a theme that sinks in between guffaw-worthy moments and complete craziness.

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